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Franois Velde (Heraldica Web Site), and Olivier Blanc (an author and specialist in French late 18th century and First Empire history, and author of numerous books, including, “Portraits de femmes, artistes et modles l'poque de Marie-Antoinette,” Paris, Didier Carpentier, 2006). [Identified by Olivier Blanc.] Presumably the Baronne d’Estat, born Jeanne Louise Catherine Voidet, the daughter of Denis Simon Voidet, avocat au Parlement and Catherine Charlotte Vernier. 1768-69, and believes these to be the children of the baronne d’Estat, by the prosecutor Omer Louis Franois Joly De Fleury: Michel-Anglique d’Estat dit Bellecour, Baron d’Estat, born about 1762, and his sister Denise d’Estat born in 1764, future baronne Gothereau De Billens. Or the girl may have been another sister, Agathe Louise Marie de La Fert, born circa January 1767, who apparently died as a child (she was also a daughter of Joly De Fleury, but was given a different last name on her baptismal records, to conceal her illegitimate birth). Gabrielle-Anne (elsewhere Pavant) de La Vieuville (1735-?

The hyperlinks generally connect to the group-effort website, "The Art of Elisabeth Louise Vige Le Brun," which is administered by Kevin Kelly. In 1752 she married Joseph Dominique d’Estat de Bellecourt. ), daughter of Ren-Jean-Baptiste, marquis de La Vieuville and Anne-Charlotte de Creil.

Vige Le Brun (VLB) master painting list, updated 1 September 2016 Please send questions, comments, additions, corrections, etc. Unless otherwise cited, quotations of VLB are from refers to the catalog for the exhibitions held at the the New York Metropolitan Museum of Art and Ottawa's National Gallery of Canada. Baillio is the world’s leading authority on Vige Le Brun, and is preparing a catalogue raisonn. considers the skill displayed by the painting to be such that it must have been painted years later, 1774-78.

Biographical information on many of the sitterqs was also provided by Dr. Mme Raffeneau de Lille, wife of a big Parisian notaire, or else Franoise Sophie, born 1727, the wife of a Director des Aides rgies par la ferme gnrale, femme de chambre de Mesdames Sophie et Louise de France. Olivier Blanc makes a good argument that the painting was done ca.

VLB only listed one couple for 1773, and the woman's portrait (below) appeared similar to a terracotta bust of Mme de Roissy by Jean-Baptiste Le Moyne II (1704 -1778). However, writing in , Xavier Salmon considers the poses too irregular to represent portraits, and thinks they were instead studies.

Thus, Sotheby's considered the pastels to represent M. He also thinks the male sitter too young to be the 22 year old M. Salmon suggests that the sitter was instead VLB's brother, Etienne, finding similarities to the 1773 St. Angela Demutskiy agrees with Salmon that the sitter is Etienne.

VLB only listed one couple for 1773, and this pastel appeared similar to a terracotta bust of Mme de Roissy by Jean-Baptiste Le Moyne II (1704 -1778). However, writing in , Xavier Salmon considers the poses too irregular to represent portraits, and thinks they were instead studies.

Thus, Sotheby's considered the pastels to represent M. He also thinks the male sitter (above) too young to be the 22 year old M. Salmon suggests that the high cheekbones and narrow chin remind him of the sitter in the ca.

1772 "Believed to be the Artist’s Mother," black chalk heightened with red chalk, 8 1/2" x 6 1/4." 1769?Many others have contributed to this research, for which we are grateful, whether your name is mentioned or not! After his death in 1766, she became the mistress of Omer Louis Franois Joly De Fleury (1743-1784). 1768-72 "The Children of the Baronne d’Esthat," oil on canvas, oval, 28 1/4" x 23 1/8," Cailleux Collection. In 1760 she became the third wife of Jean-Baptiste-Paulin d’Aguesseau de Fresnes, comte de Campans (1702-84).The original paintings by VLB and other artists mentioned herein are in the public domain, and case law in the United States holds that faithful reproductions of two-dimensional public domain works of art are themselves in the public domain. [Identified by Franois Velde, with additional information from Olivier Blanc.] VLB also painted her sister, Anne Genevive, listed two paragraphs below. Olivier Blanc suggests this might have been the mother of Franois-Marie Suzanne, a sculptor born in 1750.This includes a reproduction in a different medium, such as a photographic reproduction of an original painting, pastel, or drawing. Anne Genevive de La Vieuville, second daughter of Ren-Jean-Baptiste de La Vieuville, baron d’Arzillires. [Identified by Olivier Blanc.] VLB also painted her sister, Gabrielle-Anne, listed two paragraphs above. 1769 “Jeanne Vige, the Artist’s Mother,” oil on canvas, oval, 25 5/8" x 21 1/4" (65 x 54 cm), private collection.

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  2. VLB lived on the same street as the sitter, whom she also painted in 1778. Jean Falcoz de La Blache (28 December 1743-1821), called the marquis d'Haraucourt, was the son of comte Andr Laurent Francois Falcoz de La Blache and Michle Josphe Marguerite de Roissy. 24 December 1807] 1808) was a son of Governor Grigory Ivanovich Orlov (1685-1746) and Lusha Ivanovna Orlov, ne Zinoviev (1710-? In 1782, he married Evdokia Nikolayevna Lopukhina (1761-1786). Louise Marie Adlade de Penthivre, Duchess de Chartres (and later Duchess d’Orlans), 1753-1821.

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